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Program Information
All Things Cage
Weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world.
Weekly Program
Weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world.
 Wave Farm/WGXC 90.7-FM  Contact Contributor
May 4, 2023, 2:43 a.m.
"All Things Cage" is a weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world. If youd like to propose a guest or a topic for a future program, write directly to Laura at lkuhn@johncage.org.Laura Kuhn presents the first recording of John Cages Europera 5, preceded by her reading Recollections of the Premiere Performance by Yvar Mikhashoff. This recording of Europera 5 was produced by Brian Brandt and released on the Mode Records label as Mode 36 in 1995, with performers Yvar Mikhashoff, Martha Herr, Gary Burgess, Jan Williams, and Don Metz. Europera 5 is the last and most diminutive of Cages operas " preceded by Europeras 1 & 2 (1984-1987) and Europeras 3 & 4 (1991) " and was instigated by pianist Yvar Mikashoffs desire for a small, more practical and portable, and more easily performed work in the series, which had its premiere in Buffalo at the North American New Musical Festival on April 12, 1991.
Laura Kuhn introduces Chance Conversations: An Interview with Cunningham and Cage, which took place during a residency at the Walker Art Center in Minneapolis, Minnesota in 1981. As almost life-long collaborators, Cage and Cunningham pioneered a new framework of performance, their novel approach allowing for their respective mediums to cohabitate within a performance, thus abandoning the centuries-long, co-dependent model of dance and music. The two artists discuss the methodology and motivations behind chance operations, a term used to describe artistic decisions based on unpredictability. Wanting to free himself of his likes and dislikes, Cage describes how Zen Buddhism influenced his work, leading him to use I Ching-inflected tools of chance. These new methods, adopted by both Cunningham and Cage, albeit with distinctions, overturned a whole foundation of thought around music, movement, and the process of creating art. In the second half of the program, we listen to Takehisa Kosugis Spectra (1989), a work composed for Cunninghams Cargo X.
The late Pulitzer Prize-winning biographer Kenneth Silverman once described his "Begin Again: A Biography of John Cage" (Knopf, 2012) as the hardest book hed ever written. This was because, as he put it, pick up any rock and theres John Cage! Indeed, Cage was not only a world-renowned composer, numbering among his compositions the still notoriously tacet 433, but a ground-breaking poet, a philosopher, a chess master who studied with Marcel Duchamp, a macrobiotic chef, a devotee of Zen Buddhism, a prolific visual artist, and an avid and pioneering mycologist. He was also life partner to the celebrated American choreographer, Merce Cunningham, for nearly half a century, and thus well known in the world of modern dance. Episode 118. EVERGREEN

Chance Conversations: An Interview with Cunningham and Cage (Walker Art Center, 1981) Download Program Podcast
Weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world.
00:57:54 1 May 4, 2023
Produced for Wave Farm in the Hudson Valley in New York.
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