<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Program Podcast: Afrocentrism; Afrofuturism or African Liberation: Could the Cinematic Allegory of Wakanda Ideologically Subvert and Divide the Black Revolution and the Afro-Diaspora?</title><link>http://www.radio4all.net/program/96769</link><description>Podcast for Program: Afrocentrism; Afrofuturism or African Liberation: Could the Cinematic Allegory of Wakanda Ideologically Subvert and Divide the Black Revolution and the Afro-Diaspora?</description><lastBuildDate>Tue, 27 Mar 2018 14:25:41 +0000</lastBuildDate><ttl>240</ttl><item><title>Fourth World Radyo - Afrocentrism; Afrofuturism or African Liberation: Could the Cinematic Allegory of Wakanda Ideologically Subvert and Divide the Black Revolution and the Afro-Diaspora?</title><link>http://www.radio4all.net/program/96769</link><description>*Editor&#226;&#128;&#153;s Note: (The producers sincerely apologise to our listeners; distributors and affiliated radio outlets for the lateness of this dispatch.)


SUMMARY: [From @TheAngryindian] // The recent film &#226;&#128;&#152;Black Panther&#226;&#128;&#153;, based on the classic Marvel comic book character created in 1966 by Stan Lee &amp;amp; Jack Kirby, is being heralded by many as a historic breakthrough for increased Afro-American representation in the film/entertainment industry. And given the justified arguments made by People-of-Colour for professional fairness; artistic freedom and economic inclusion in both mainstream demographic representation and accuracy regarding African Peoples; our histories and the varied, localised expressions of the diasporic Afro-aesthetic in pop-media; it seemed like BP would be a very good thing indeed. But is it? Because once afforded the opportunity, just the opposite seems to have happened. Logically, I accept that BP can, and will, be seen as nothing more than simple amusement by most people. But I have to ask: why would contemporary Black Americans &#226;&#128;&#147; living under the fascist-friendly Trump Administration &#226;&#128;&#147; decide to apply their unique creativity towards modifying a ground-breaking; anti-racist comic book into a contemporary action-flick that artfully reflects exactly the sort of mind-fuckingly subliminal; anti-Black Liberation arguments the traditional exploiters and oppressors of Africa have used (for centuries) to psych-out Black people in the Motherland and abroad? 


EXTRAS: A selected audio history of US Antifa during the 1980&#226;&#128;&#153;s by a group of original participants (via the good anarchist folks over at itsgoingdown.org) 
a rebel song recognising Eire, St. Patrick&#226;&#128;&#153;s Day and Irish liberation with &#226;&#128;&#152;Antifascista&#226;&#128;&#153; by the band Punk rounding out the programme.

All this and much more on, 4WR. 

The official internet radio broadcast of the Aboriginal Press News Service
</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Aboriginal Press News Service Public Radio (APNSPR)</dc:creator><pubDate>Tue, 27 Mar 2018 14:25:41 +0000</pubDate><enclosure length="" type="audio/mpeg" url="https://archive.org/download/RevolutionNot/RevolutionNOT.mp3"/></item><item><title>Fourth World Radyo - Afrocentrism; Afrofuturism or African Liberation: Could the Cinematic Allegory of Wakanda Ideologically Subvert and Divide the Black Revolution and the Afro-Diaspora?</title><link>http://www.radio4all.net/program/96769</link><description>*Editor&#226;&#128;&#153;s Note: (The producers sincerely apologise to our listeners; distributors and affiliated radio outlets for the lateness of this dispatch.)


SUMMARY: [From @TheAngryindian] // The recent film &#226;&#128;&#152;Black Panther&#226;&#128;&#153;, based on the classic Marvel comic book character created in 1966 by Stan Lee &amp;amp; Jack Kirby, is being heralded by many as a historic breakthrough for increased Afro-American representation in the film/entertainment industry. And given the justified arguments made by People-of-Colour for professional fairness; artistic freedom and economic inclusion in both mainstream demographic representation and accuracy regarding African Peoples; our histories and the varied, localised expressions of the diasporic Afro-aesthetic in pop-media; it seemed like BP would be a very good thing indeed. But is it? Because once afforded the opportunity, just the opposite seems to have happened. Logically, I accept that BP can, and will, be seen as nothing more than simple amusement by most people. But I have to ask: why would contemporary Black Americans &#226;&#128;&#147; living under the fascist-friendly Trump Administration &#226;&#128;&#147; decide to apply their unique creativity towards modifying a ground-breaking; anti-racist comic book into a contemporary action-flick that artfully reflects exactly the sort of mind-fuckingly subliminal; anti-Black Liberation arguments the traditional exploiters and oppressors of Africa have used (for centuries) to psych-out Black people in the Motherland and abroad? 


EXTRAS: A selected audio history of US Antifa during the 1980&#226;&#128;&#153;s by a group of original participants (via the good anarchist folks over at itsgoingdown.org) 
a rebel song recognising Eire, St. Patrick&#226;&#128;&#153;s Day and Irish liberation with &#226;&#128;&#152;Antifascista&#226;&#128;&#153; by the band Punk rounding out the programme.

All this and much more on, 4WR. 

The official internet radio broadcast of the Aboriginal Press News Service
</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Aboriginal Press News Service Public Radio (APNSPR)</dc:creator><pubDate>Tue, 27 Mar 2018 14:25:41 +0000</pubDate><enclosure length="" type="application/ogg" url="https://archive.org/download/RevolutionNot/RevolutionNOT.ogg"/></item><item><title>Fourth World Radyo - Afrocentrism; Afrofuturism or African Liberation: Could the Cinematic Allegory of Wakanda Ideologically Subvert and Divide the Black Revolution and the Afro-Diaspora?</title><link>http://www.radio4all.net/program/96769</link><description>*Editor&#226;&#128;&#153;s Note: (The producers sincerely apologise to our listeners; distributors and affiliated radio outlets for the lateness of this dispatch.)


SUMMARY: [From @TheAngryindian] // The recent film &#226;&#128;&#152;Black Panther&#226;&#128;&#153;, based on the classic Marvel comic book character created in 1966 by Stan Lee &amp;amp; Jack Kirby, is being heralded by many as a historic breakthrough for increased Afro-American representation in the film/entertainment industry. And given the justified arguments made by People-of-Colour for professional fairness; artistic freedom and economic inclusion in both mainstream demographic representation and accuracy regarding African Peoples; our histories and the varied, localised expressions of the diasporic Afro-aesthetic in pop-media; it seemed like BP would be a very good thing indeed. But is it? Because once afforded the opportunity, just the opposite seems to have happened. Logically, I accept that BP can, and will, be seen as nothing more than simple amusement by most people. But I have to ask: why would contemporary Black Americans &#226;&#128;&#147; living under the fascist-friendly Trump Administration &#226;&#128;&#147; decide to apply their unique creativity towards modifying a ground-breaking; anti-racist comic book into a contemporary action-flick that artfully reflects exactly the sort of mind-fuckingly subliminal; anti-Black Liberation arguments the traditional exploiters and oppressors of Africa have used (for centuries) to psych-out Black people in the Motherland and abroad? 


EXTRAS: A selected audio history of US Antifa during the 1980&#226;&#128;&#153;s by a group of original participants (via the good anarchist folks over at itsgoingdown.org) 
a rebel song recognising Eire, St. Patrick&#226;&#128;&#153;s Day and Irish liberation with &#226;&#128;&#152;Antifascista&#226;&#128;&#153; by the band Punk rounding out the programme.

All this and much more on, 4WR. 

The official internet radio broadcast of the Aboriginal Press News Service
</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Aboriginal Press News Service Public Radio (APNSPR)</dc:creator><pubDate>Tue, 27 Mar 2018 14:25:41 +0000</pubDate><enclosure length="" type="audio/mpeg" url="https://archive.org/download/RevolutionNot/RevolutionNOT.mp3"/></item><item><title>Fourth World Radyo - Afrocentrism; Afrofuturism or African Liberation: Could the Cinematic Allegory of Wakanda Ideologically Subvert and Divide the Black Revolution and the Afro-Diaspora?</title><link>http://www.radio4all.net/program/96769</link><description>*Editor&#226;&#128;&#153;s Note: (The producers sincerely apologise to our listeners; distributors and affiliated radio outlets for the lateness of this dispatch.)


SUMMARY: [From @TheAngryindian] // The recent film &#226;&#128;&#152;Black Panther&#226;&#128;&#153;, based on the classic Marvel comic book character created in 1966 by Stan Lee &amp;amp; Jack Kirby, is being heralded by many as a historic breakthrough for increased Afro-American representation in the film/entertainment industry. And given the justified arguments made by People-of-Colour for professional fairness; artistic freedom and economic inclusion in both mainstream demographic representation and accuracy regarding African Peoples; our histories and the varied, localised expressions of the diasporic Afro-aesthetic in pop-media; it seemed like BP would be a very good thing indeed. But is it? Because once afforded the opportunity, just the opposite seems to have happened. Logically, I accept that BP can, and will, be seen as nothing more than simple amusement by most people. But I have to ask: why would contemporary Black Americans &#226;&#128;&#147; living under the fascist-friendly Trump Administration &#226;&#128;&#147; decide to apply their unique creativity towards modifying a ground-breaking; anti-racist comic book into a contemporary action-flick that artfully reflects exactly the sort of mind-fuckingly subliminal; anti-Black Liberation arguments the traditional exploiters and oppressors of Africa have used (for centuries) to psych-out Black people in the Motherland and abroad? 


EXTRAS: A selected audio history of US Antifa during the 1980&#226;&#128;&#153;s by a group of original participants (via the good anarchist folks over at itsgoingdown.org) 
a rebel song recognising Eire, St. Patrick&#226;&#128;&#153;s Day and Irish liberation with &#226;&#128;&#152;Antifascista&#226;&#128;&#153; by the band Punk rounding out the programme.

All this and much more on, 4WR. 

The official internet radio broadcast of the Aboriginal Press News Service
</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Aboriginal Press News Service Public Radio (APNSPR)</dc:creator><pubDate>Tue, 27 Mar 2018 14:25:41 +0000</pubDate><enclosure length="" type="application/ogg" url="https://archive.org/download/RevolutionNot/RevolutionNOT.ogg"/></item></channel></rss>