"All Things Cage" is a weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world. If youd like to propose a guest or a topic for a future program, write directly to Laura at lkuhn@johncage.org.
Laura Kuhn begins a series of three programs devoted to the subject of Cages use of chance composition with a program that focuses on his first fully chance-determined work, Music of Changes (1951). As dedicated listeners know, John Cage was a singularly inventive American composer whose principal contribution to the history of music was his systematic establishment of the principle of indeterminacy: by adapting Zen Buddhist practices to composition and performance, Cage succeeded in bringing both authentic spiritual ideas and a liberating attitude of play to the enterprise of Western art. He developed methods of selecting the components of his pieces by chance, early on through the tossing of coins and later through the use of random number generators on the computer to simulate the coin oracle of the I Ching. Thus, Cage's mature works did not originate in psychology, motive, drama, or literature, but, rather, were just sounds, free of judgments about whether they are musical or not, free of fixed relations, free of memory and taste. His most enduring composition is the radically tacet 4'33" (1952), a work in three movements during which no sounds are intentionally produced.
The late Pulitzer Prize-winning biographer Kenneth Silverman once described his "Begin Again: A Biography of John Cage" (Knopf, 2012) as the hardest book hed ever written. This was because, as he put it, pick up any rock and theres John Cage! Indeed, Cage was not only a world-renowned composer, numbering among his compositions the still notoriously tacet 433, but a ground-breaking poet, a philosopher, a chess master who studied with Marcel Duchamp, a macrobiotic chef, a devotee of Zen Buddhism, a prolific visual artist, and an avid and pioneering mycologist. He was also life partner to the celebrated American choreographer, Merce Cunningham, for nearly half a century, and thus well known in the world of modern dance. Episode 086. EVERGREEN.
Cage's Use of Chance in Composition, Part 1, "Music of Changes" (1951)
Weekly program featuring conversations between Laura Kuhn, Director of the John Cage Trust, and Cage experts and enthusiasts from around the world.
00:55:30
1
Sept. 15, 2022
Produced for Wave Farm in the Hudson Valley in New York.
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