Welcome to "The Radio Art Hour," a show where art is not just on the radio, but is the radio. "The Radio Art Hour" draws from the Wave Farm Broadcast Radio Art Archive, an online resource that aims to identify, coalesce, and celebrate historical and contemporary international radio artworks made by artists around the world, created specifically for terrestrial AM/FM broadcast, whether it be via commercial, public, community, or independent transmission. Come on a journey with us as radio artists explore broadcast radio space through poetic resuscitations and playful celebrations/subversions of the complex relationship between senders and receivers in this hour of radio about radio as an art form. "The Radio Art Hour" features introductions from Philip Grant and Tom Roe, and from Wave Farm Radio Art Fellows Karen Werner, Andy Stuhl, and Jess Speer. The Conet Project's recordings of numbers radio stations serve as interstitial sounds. Go to wavefarm.org for more information about "The Radio Art Hour" and Wave Farm's Radio Art Archive.
Tune in three radio art works this week, one from Dmitriy Nikolaev, one from Andrea Sodomka, a media artist from Austria, and one from American radio artist Gregory Whitehead. First is "Happy Birthday Darling" by Dmitriy Nikolaev, and introduced by Karen Werner. In "Happy Birthday Darling" Russian radio artist Dmitry Nikolaev took on the challenge of creating a radio drama entirely through sounds, not using single word. He describes the piece with his Russian sense of humor: People very easily break human relations, connections and start to kill others who do not follow their rules. It's a story about how love turns into hatred that destroys everything and kills everybody. - Introduced by Wave Farm Radio Artist Fellow 2019/2020, Karen Werner. Next, tune in "Intimate Space" by Andrea Sodomka, and introduced by Jess Speer. "Intimate Space" was originally conceived as an installation for the festival Ars Sonora, Radio Clsica, put on by Radio Nacional de Espana. As is her usual practice, Sodomka spent many months thinking about, researching, and conducting interviews about the concept of intimacy and intimate space before beginning composition or production. During this time, she spent time in Tokyo, which gave her insight into cultural and contextual differences in the idea of physical intimacy and personal space. When the time came for production, Sodomka and her collaborators, including Helmut Jasbar on electric guitar, Heidelinde Gratzl on accordion, and Sodomka herself using electronic instruments, gathered in the studio, and were able to take time to improvise and play together to get a good recording that captured their expression of intimate space. Afterwards, Sodomka worked with sound engineer Anton Reininger to mix a recording in Dolby 5.1 Digital Surround Sound that included a recorded interview with collaborator August Black edited by Anna Kuncio, and a sound donation by Daniel Lercher. Sodomkas original plan for the installation included using mini-FM transmitters broadcasting from cars outside the festival venue and the audience walking around the cars with receivers, but technical problems led to a smaller installation of transmitters located in a room. The piece was first broadcast on ORF Kunstradio as a radio art piece on September 20, 2009, and was installed and performed on September 23, 2009, at CDMC (Festival for Contemporary Music), in Alicante, Spain. In the installation, audience members walking around the room created a new version of the work, their movements and the pieces of the broadcast being transmitted from various transmitters shifting the sounds throughout the installation. The piece was broadcast again on October 24, 2009 by Ars Sonora, Radio Clsica. In both its installation and broadcast formats, the piece references and uses radio as a way to think about intimacy and intimate space as something that is broadcast, so to speak, from individuals and extending out at various distances depending on the cultural background and personality of individual transmitters. Compositionally, the piece was also inspired by the sounds Sodomka could hear from her composers hut in her garden: birdsong, neighborhood children, and other sounds of the people and natural world around her becoming a part of her intimate space and compositional work. Distance, communication, and intimacy are all factors in this intimate space. Similarly, mini-FM transmitters can allow people to transmit a broadcast within the distance of their own personal bubble, only allowing those physically close, and therefore within the intimate space, to receive those messages, and taking that personal bubble of intimate space with them wherever they go. Radio creates a mapping between time and space, Sodomka says, transforming an acoustical geometry into a spatial geometry. - Introduced by Wave Farm Radio Artist Fellow 2020/2021, Jess Speer. Finally, today's transmission ends with Gregory Whitehead's "India Alpha Mike," one of his ongoing explorations into the fate of ciphered disembodies during their slow fade into the electromagnetic night.
Wave Farm is a non-profit arts organization driven by experimentation with broadcast media and the airwaves. A pioneer of the Transmission Arts genre, Wave Farm programs provide access to transmission technologies and support artists and organizations that engage with media as an art form. Major activities include the Wave Farm Artist Residency Program; Transmission Art Archive; WGXC 90.7-FM: Radio for Open Ears, a creative community radio station based in New Yorks Upper Hudson Valley; a Fiscal Sponsorship program; and the Media Arts Assistance Fund in partnership with NYSCA Electronic Media/Film. EVERGREEN EPISODE 082.
Dmitriy Nikolaev, Andrea Sodomka, Gregory Whitehead
A show where art is not just on the radio, but is the radio.
00:58:00
1
Aug. 18, 2022
Produced for Wave Farm in the Hudson Valley in New York.
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